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| Ben hur |
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| next imagine the multitude seated and sunk to sudden silence, and motionless in its intensity of interest. Out of the Porta Pompae over in the east rises a sound mixed of voices and instruments harmonized. Presently, forth issues the chorus of the procession with which the celebration begins; the editor and civic authorities of the city, givers of the games, follow in robes and garlands; then the gods, some on platforms borne by men, others in great four-wheel carriages gorgeously decorated; next them, again, the contestants of the day, each in costume exactlv as he will run, wrestle, leap, box, or drive. Slowly crossing the arena, the procession proceeds to make circuit of the course. The display is beautiful and imposing. Approval runs before it in a shout, as the water rises and swells in front of a boat in motion. If the dumb, figured gods make no sign of appreciation of the welcome, the editor and his associates are not so backward. The reception of the athletes is even more demonstrative. |